![]() ![]() They’re usually in a different key or tempo to suit the format required by the show. Performances on the television shows Prichard-Blunt works on are usually abbreviated versions of the original. When first exploring computer notation software, I tried the major programs available and found Sibelius to be the most musically intuitive and consequently I was able to begin writing almost immediately.ĭAVID PRITCHARD-BLUNT, MUSICAL DIRECTOR AND ARRANGER Avid Artist Suite takes a star turn on The Voice I have files dating back ten years, which can still be opened and accessed on the latest version.” “As is the ability to open files from previous versions of Sibelius. “Being able to open and edit files on a Mac that were originally created on a PC and vice versa is extremely helpful,” he explains. This ease of file transfer between Sibelius users is one of this musical director's favorite aspects of Sibelius and the Avid Artist Suite. Sibelius music notation software is able to help that process with easy editing and file sharing. ![]() Arrangement changes are required at very short notice, making it critical to work quickly and accurately for the production to continue smoothly. Pritchard-Blunt also says that speed and accuracy are paramount, particularly when dealing with the schedules of live television. “For many years I used my own equipment for MIDI playback through Sibelius, but have recently migrated to the excellent quality of Sibelius Sounds.” ![]() “In most cases, I listen to the playback to determine what corrections need to be made and use the visual for layout,” he says. According to Pritchard-Blunt, one of the major leaps forward with the introduction of computer notation software is the ability to ‘proof listen’ and proofread work. Playback was another important consideration. The ability to choose between house styles and then to edit details such as note sizes and fonts is fantastic.ĭAVID PRITCHARD-BLUNT, MUSICAL DIRECTOR AND ARRANGER The printed quality of Sibelius scores are superb. The team at Avid Australia have been of great assistance on the rare occasions that I’ve needed support.” But I have confidence in Sibelius to be dependable in all situations. “Computers by nature are not completely fail-safe and neither is software. “Reliability is also crucial,” he continues. “When first exploring computer notation software, I tried the major programs available and found Sibelius to be the most musically intuitive and consequently I was able to begin writing almost immediately.” “Ease of use and reliability are the two major factors I look for in software,” explains Pritchard-Blunt. Pritchard-Blunt has relied on Sibelius as his only notation software since 2001, using it for all his arrangement work, and taking advantage of its time-saving composition features, easy file-sharing abilities, sophisticated layout and excellent responsiveness. Long-established arrangement with Avid music notation software In the particular case of The Voice and other performance-based TV shows, Pritchard-Blunt reworks songs into a new arrangement solely using a key component of the Avid Artist Suite, namely Avid Sibelius music notation and scoring software. Therefore ease of file sharing is paramount.”įor workflows such as these, Pritchard-Blunt has embraced Avid Everywhere, using the Avid MediaCentral platform to access file-based media and effectively collaborate with clients and colleagues. “Much of the television writing is done for clients interstate or overseas and sometimes, in collusion with other musicians. “Writing orchestrations for TV and stage shows generally involves taking existing material which then has to be translated into a live situation for the band to play,” says Pritchard-Blunt. David's contributions to theatre productions in Australia are just as numerous, including Footloose, Priscilla-Queen Of The Desert, Burn The Floor and Shout!-The Musical. Currently responsible for writing the arrangements for the Australian production of The Voice since 2012, the gifted New Zealand-born musician has also performed arrangement duties for The Voice Kids, seven seasons of Australian Idol and ten series of Candles By Candlelight, among others. In the world of Australian live performance TV, David Pritchard-Blunt is the go-to musical director and arranger. ![]()
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